The dhalang tells the stories of kings, princesses, ogres, and knights, using deft hand movement and narration. While traditional performances used cotton sheets and oil lamps to create the play of light, electric bulbs or other sources of light are used today. Many of the plots draw from episodes seen in the Hindu epics Ramayana and Mahabharata. Wayang Kulit was declared a Masterpiece of Oral and Intangible Heritage of Humanity by UNESCO in 2003.
In advance of Asia Society's presentation of wayang kulit on Saturday, we spoke to Rachel Cooper, Asia Society's director of Global Performing Arts and Special Cultural Initiatives, about this unique art form.
How popular is Wayang Kulit as an art form today? Has the form had an influence beyond Indonesia?
Shadow puppetry has been popular in various parts of the world, including China, India, and Turkey, but it has reached an extraordinary level in Java. It is usually performed in an eight to nine hour performance that goes all night.
Wayang kulit combines deep spiritual meaning, entertaining storytelling, extraordinary musicality (both in the gamelan and vocals), deep philosophical messages, current political commentary, and bawdy humor. It is one of the most complete art forms, with everything in the hands of the dhalang. A good dhalang is indeed a celebrity who commands a high fee and can perform in front of audiences as large as 6 or 7,000 people.
What are some of the distinctive features of a performance that differentiate it from other forms of puppetry?
Javanese shadow puppetry involves distinctive puppets that are art works in themselves. The gamelan orchestra is comprised of between 20 and 40 musicians and is made up of bronze instruments — gongs, metalaphones, strings, and vocals. It is one of the great art forms as it combines ancient stories, mystical mantras, and topical commentary.
In 2012, Asia Society presented a wayang kulit performance by Ki Purbo Asmoro. The wayang kulit features an appearance by none other than Barack Obama who, of course, spent part of his childhood in Indonesia.
Source: asiasociety.org
